Showing posts with label 2008. Show all posts
Showing posts with label 2008. Show all posts

Monday, July 12, 2010

We Live In Public

Director: Ondi Timoner
(2008)


The internet boom of the late 1990s saw many young entrepreneurs quickly amass staggering wealth. Josh Harris was at the forefront of that rush, eventually netting more than $80 million with his company JupiterResearch and later the internet television network Pseudo.com. We Live in Public portrays the peaks and valleys in the career of Harris, "the greatest Internet pioneer you've never heard of."

Josh Harris (image via boingboing)

Harris was an eccentric visionary who used his fortune to fund human experiments. Just before the turn of the millennium, he invited 100 artists to live in an underground bunker in New York City outfitted with webcams to document their every move in a project called "Quiet: We Live in Public." This compound featured Japanese-style sleeping pods as well as a shooting range and an interrogation room in which the occupants were asked deeply personal, probing questions by a highly aggressive interviewer. Harris sought to foreshadow the fact that one day, the internet would put increased pressure on our lives by completely eradicating our privacy. Fortunately, the fire department shut down the project before anyone lost it.

He imagined a kind of Orwellian dystopia in which every second of our lives would be captured on video and put in the public domain for the world to examine. Today, many facets of our lives are on display on various websites. But the future has brought a different kind of transmission than Harris had imagined. By and large, we have control over what is published for the world to see. We are the publishing supervisors of our Facebook pages and the editors-in-chief of our YouTube channels. Perhaps Harris’ vision of an totalitarian future simply hasn’t yet materialized.



After the collapse of "Quiet: We Live in Public," Harris was clearly not satisfied with the results of his experiment. He immediately put his hypothesis to the test once again, this time putting himself under the microscope. He outfitted a New York loft with 30 motion-controlled cameras (including one in the fridge, litter box and toilet bowl) and 66 microphones and moved in with his new girlfriend, Tanya Corrin. After a “giddy” first month, the honeymoon quickly faded. Harris and Corrin became so distant to the point where they would sit in different rooms and talk to their viewers in chat rooms more than each other. Eventually this pressure cooker exploded in a very ugly way, for all the world to see. Timoner postulates:
I think that's an important lesson; the internet, as wonderful as it is, is not an intimate medium. It's just not. If you want to keep something intimate and if you want to keep something sacred, you probably shouldn't post it.
The film opens with an uninviting video of Harris saying goodbye to his dying mother. It then jumps to a history of the internet before moving on to focus on Harris and his endeavors. Some may see the film as off balance, but the documentary is successful for its perseverance if nothing else. Timoner captured footage from every unique venture of Harris’ life over the past 15 years, including his escape as an apple orchard farmer in Columbia County, NY. With 15 years worth of footage on any oddball such as Harris, one could make a compelling film. Each one of his undertakings could be the subject of an entertaining film in and of themselves, but Harris’ eccentric persona brings it all together.

official film site

Trivial Tidbits:
  • We Live in Public won the Grand Jury Prize award in the U.S. documentary category at the 2009 Sundance Film Festival
  • In the early days of the internet, videos streamed at 1 frame/second
Epilogue:

Saturday, May 8, 2010

It Might Get Loud

Director: Davis Guggenheim
(2008)


It Might Get Loud focuses on the careers and stylings of Jack White, The Edge, and Jimmy Page. The film is mildly entertaining, but only to the nerdiest of rock fans. It has the feel of a well-produced VH1 special.



The best part of the film is at the end, when the trio is jamming to "The Weight" by The Band. The Edge says, "Oh, I've been playing the wrong chord the whole time. It's not E minor. It's B minor." To which Jimmy Page replies, "Is it? Oh shit." Other than that splash of realism, it's an awkward affair.

Trivial Tidbits:

  • It Might Get Loud premiered at the 2008 Toronto Film Festival

Saturday, April 24, 2010

Nerdcore Rising

Director: Negin Farsad, Kim Gatewood (co-director)
(2008)


A chronicling of nerdcore hip hop artist MC Frontalot's 2006 national tour. No true nerd will be disappointed with this film, from the Magic: The Gathering tutorial to the incessant Chewbacca's Wookieespeak. MC Frontalot's entourage is gloriously awkward at times, but this is just an instinctive reaction by nerds when a camera is pointed at them.

Nerdcore Rising is part of a cultural shift in which the formerly disparaging term “nerd” is embraced by the individuals in this subculture. Despite this adaptation, nerds are still seen as outsiders in certain circles. This is evident as MC Frontalot strives to gain respect in the greater hip hop genre (along with more pressing goals, like earning a living via this art form).

The film features insightful interviews with unnerdy hip hop producer Prince Paul, 90s nerd “Weird Al” Yankovic, comical nerd Brian Posehn, fellow nerdcorer mc chris, Penny Arcade entrepreneurial nerds Mike Krahulik and Jerry Holkins, and even a brief interview with the great (punk nerd?) Jello Biafra.

The tour provides an excellent framework for the film. Their early performances are somewhat shaky and often in front of scant audiences, including a performance in Georgia in front of a downright befuddled crowd. The tour culminates with a performance with Minibosses in front of a massive audience at the Penny Arcade Expo in Seattle, ending the film with an encouraging sentiment.

official film site

Trivial Tidbits:

  • The titular genre was coined by MC Frontalot in 2000 in the song "Nerdcore Hiphop"
  • Nerdcore for Life is another documentary on the subject of nerdcore hip hop, also released in 2008

Tuesday, December 1, 2009

Man on Wire

Director: James Marsh
(2008)

Much praise deserves to be extolled upon this documentary, which won the “Best Documentary Feature” award at the 81st Annual Academy Awards earlier this year. In fact, 100% of the 141 reviews gathered by Rotten Tomatoes are deemed to be positive appraisals. So at the risk of sounding redundant or trite, I offer my own thoughts on the film...

When I first heard the title of this film, I immediately questioned whether the filmmakers would be able to keep the audience engaged for 90 minutes with such a seemingly pedestrian act. My apprehensions quickly dissolved. The structure is laid out early on, with focus alternating between convincing reenactments of “le coup” (Petit's code word for the event), gripping stock footage of the Twin Towers being built, vintage film clips of the team preparing for the siege, and brilliant 16mm footage of Mr. Petit accomplishing stunning feats atop other worldly landmarks. The montage is elegant, as the various acts meld together like a walk through a carnival.

Petit proves to be a worthy protagonist, with his unbridled enthusiasm and strong storytelling prowess. He controls the tone of the film, building tension as he recalls vivid details from decades ago. He takes on the role of performer with ease (you may recall he performed a magic trick at the podium moments after receiving the Oscar). Not only was he fortunate enough to have been born with and to discover this gift within him, but he is bold enough to perform on the most beautiful stage conceivable. The performance was downright profound, as it served as such a clear illustration of the limits of human achievement.


official film site

Trivial Tidbits:

  • The titular wire weighed 450 lbs.
  • Petit was later granted lifetime access to the Twin Towers' Observation Deck.